GLOBE THEATER

Globe Theatre Fact 1

The Globe Theatre was built in 1599 in Southwark on the south bank of London’s River Thames by Richard Burbage.

Globe Theatre Fact 2

The timber for The Globe Theatre was actually reused wood from “The Theatre” – an earlier theatre owned by Richard Burbage’s father.

Globe Theatre Fact 3

The Globe was built as a large, round, open air theatre. There was a roof around the circumference which covered the seating area, leaving the theatre looking like a doughnut from above.

Globe Theatre Fact 4

The Globe  had three stories of seating and was able to hold up to 3,000 spectators in it’s 100 foot diameter.

Globe Theatre Fact 5

At the base of the stage was an area called “the pit” which held “the groundlings” – people who paid just a penny to stand and watch a performance.

Globe Theatre Fact 6

Part of the stage was called the “apron stage” – a rectangular platform that thrust out amongst the audience into the pit.

Globe Theatre Fact 7

William Shakespeare was a shareholder who owned 12.5% of The Globe Theatre. As a young writer Shakespeare bought shares in the theatre and benefited financially as his popularity grew.

Globe Theatre Fact 8

Colour coded flags were used outside the theatre to advertise the type of play to be performed – a red flag for a history play, white for a comedy play and black for a tragedy play.

Globe Theatre Fact 9

A crest above the main entrance to The Globe Theatre was inscribed with motto “Totus mundus agit histrionem” – Latin for “The whole world is a playhouse”.

Globe Theatre Fact 10

There were no actresses performing at The Globe Theatre – or any other theatre at that time. Female roles were played by young boys as theatre stages were considered too risque a place for ladies.

Globe Theatre Fact 11

The Globe Theatre burnt down in 1613 when a special effect on stage went wrong. A cannon used for a performance of Henry VIII set light to the thatched roof and the fire quickly spread, reportedly taking less than two hours to burn down completely.

Globe Theatre Fact 12

According to one of the few surviving documents of the event, no one was hurt when The Globe Theatre burned down – except for a man whose burning trousers were put out with a bottle of beer!

Globe Theatre Fact 13

After burning down in 1613 The Globe Theatre was rebuilt on the same spot in 1614.

Globe Theatre Fact 14

The Puritans brought an end to The Globe Theatre in 1642 with an order suppressing all stage plays. In 1644 The Globe Theatre was turned into tenement housing, ending 85 years of turbulent history.

Globe Theatre Fact 15

The Globe was generally considered to be a circular building, however when a small part of the theatre’s foundations were uncovered the late 1980’s it seems that the building was actually a polygon of 20 sides.

Globe Theatre Fact 16

In 1997 a third version and faithful reconstruction of  The Globe Theatre was built as “Shakespeare’s Globe Theatre”, close to the original site in Southwark.

Shakespearean Theatre

Entire Play - http://shakespeare.mit.edu/romeo_juliet/full.html

Summary

We start off with a little action: a duel between the servants of two enemy families of Verona: the Montagues and the Capulets. Exciting! After the swords are sheathed, Verona's Prince shows up to say that the next person who fights is going to get killed, and he means it this time.
Along comes Romeo Montague, mooning over some chick named Rosaline. Meanwhile, Juliet Capulet, age thirteen, has just heard that Verona's most eligible bachelor Paris has his eye on her. They're going to check each other out that night at a masquerade ball at the Capulets' house. (At least it's parentally sanctioned child abuse.) Romeo and his friends have decided to crash the Capulet ball—in costume—because Rosaline is on the guest list.
Things take a turn when Romeo meets Juliet. They fall instantly in love, obviously, but then—gasp!—find out they're from rival families. It's all very dire, but, being two crazy kids in love, they have a secret meeting and decide to get married. Vegas road trip, wooooooo!
Oh wait. No Vegas. Instead, Romeo meets with Friar Laurence to arrange the marriage, and Juliet gets her nurse to be a go-between. The Nurse meets Romeo and his friend Mercutio (who thinks the whole situation is hilarious), and they arrange to get Juliet to Friar Laurence.

Get ready for some more names: Benvolio, another member of the Montague posse, runs into Tybalt Capulet, who is angry about the Montagues crashing his family party the other night. Romeo, freshly married, strolls into the middle of a tense situation—which gets way tense when Tybalt kills Mercutio and Romeo promptly kills Tybalt in return. Romeo jets, but the Prince still shows up to banish him. (Hey, at least he's not going to be killed.)

Juliet hears from the Nurse that her new husband has murdered her cousin, which is a major bummer—but not enough of a bummer to keep her from being super stoked about her wedding night. The Nurse finds Romeo hiding at Friar Laurence's, and the Friar hatches a plan. Romeo can spend his wedding night with Juliet, but then he has to leave town while the Friar finds some way to get the Prince of Verona to pardon Romeo.
Meanwhile, back at the Capulet house, Lord Capulet decides a wedding (to Paris) is just the thing to distract Juliet from her grief. Oops! After Juliet's awesome, romantic wedding night, she finds out that she's supposed to marry Paris in two days. Even her nurse thinks she should marry Paris, since Romeo is "as good as dead" to her.
Juliet runs over to Friar Laurence's, where she has a weird kiss with Paris and then threatens to kill herself. The Friar comes up with a plan that is 100% guaranteed to work and doesn't sound risky At All (not): giving her an herbal concoction that will make her appear to be dead for 42 hours. Yes, exactly 42. So, she runs home, agrees to marry Paris, and takes the poison so she can be taken to the Capulet tomb where Romeo can find her and everyone can live happily ever after.
Sadly, Romeo is a little out of the loop off in Mantua, and the news of Juliet's "death" makes it to Romeo before word of the Friar's plan. He buys some poison so he can go to Juliet's grave and kill himself, which is obviously the mature response. But first, he murders Paris and then spends some time with Juliet's "dead" body.
He drinks the poison and dies just in time for Juliet to wake up and find him dead. Argh! We hate missed connections! The Friar, who apparently shows up at some point, tries to convince Juliet to run away, but she refuses and kills herself with a dagger. Just then, literally everyone shows up to the tomb at the same time and finds the dead lovers. Friar Laurence confesses everything, and the two lords of the rival houses are moved by their dead children's love story and agree to end the feud. Happy ending?

 http://www.shmoop.com/romeo-and-juliet/summary.html

 
 

We start out in Venice, Italy, land of love and water. We meet two guys early on: Iago and Roderigo. Iago, who's been taking money from Roderigo in some sort of "arrangement," is upset at "the Moor," a.k.a. Othello, our tragic hero. Othello is a general in the Venetian army, and he just chose another man, Cassio, to be his lieutenant. This angers Iago, who wanted the position for himself.

Iago and Roderigo decide to get back at Othello by making a nighttime visit to Brabantio, the father of Desdemona (a.k.a. the woman Othello has recently eloped with). When Iago and Roderigo tattle on Othello for marrying Desdemona without her father's permission, Brabantio rushes to his daughter's room and discovers that she is missing. According to the angry father, this must mean that "the Moor" somehow "tricked" his daughter into whatever the two of them are doing together.

Cut to Othello in the next day or so, who's hanging out with Iago and talking about his , new wife, Desdemona. Trouble is brewing since Brabantio is a senator and therefore rather influential. It's clear that he'll try to split the pair up. But Othello isn't worried. Since he's legendary in the Venetian military, he believes his service record will get him through just fine. He adds that he really loves Desdemona, too.

The conversation is interrupted by Michael Cassio (the guy who got the lieutenant position over Iago), who says the Duke of Venice needs to see Othello right away, because there's some military action going down in Cyprus. Before everyone can peacefully exit, Brabantio shows up with Roderigo and various henchmen, ready to kill Othello or at least maim him severely for having the audacity to marry his daughter. Looks like everyone is off to see the Duke and settle the matter.

Once we get to the Duke, Othello speaks in his defense: he says Desdemona was an equal participant in their courting, and there was no trickery involved. They're now very much in love and married. Our woman in question, i.e. Desdemona, finally arrives and confirms the whole story. At this, the Duke tells Brabantio to stop whining and sends Othello to fight the battle in Cyprus. Desdemona states that she'll come along, as do Iago, his wife Emilia, Cassio, and Roderigo.

Iago and Roderigo have a little conversation during which Roderigo complains about being lovesick for Desdemona, and Iago says he'll get them together as soon as they bring down Othello. Once alone, Iago reveals a rumor that Othello was having sex with Iago's wife, Emilia. (The rumor is totally untrue and it's not even clear that Iago believes it.) To get revenge, he'll take out Cassio and Othello by convincing Othello that Cassio is having sex with Othello's wife, Desdemona.

So our cast of characters gets transported to Cyprus, where instead of battle there's just a big party (long story, read your play for the details). We note that Cassio is a ladies man, especially around Emilia. While on watch together, Iago gets Cassio drunk and orchestrates a fight between him and Roderigo.

Othello intervenes and fires Cassio for being belligerently drunk instead of doing his job. Iago then convinces Cassio that he should ask Desdemona to tell Othello to give him back his job. Once alone, Iago schemes more about how he's going to convince Othello that Desdemona is having an affair with Cassio.

Cassio talks to Desdemona and she agrees to try to convince her husband to give Cassio his job back. As Othello is seen approaching, Cassio slinks off, not wanting to have an awkward moment with the guy that just fired him. Iago (entering with Othello) notes how suspicious it is that Cassio hurried off like that. Once the two men are alone, Iago plants (and massively fertilizes) the seed of suspicion. Cassio, he hints, is having an affair with Desdemona. He warns Othello to keep his eye out for anything suspicious, like Desdemona talking about Cassio all the time and pleading for his job back.

Othello is so upset he gets physically ill. Once Desdemona is back, she tries to bandage his head playfully with the "special handkerchief" Othello once gave her, a symbol of their undying love, an heirloom from his dead mother, and eventually the cause of a whole lot of trouble – which is why we later call it "the handkerchief of death."

To make a long story short, Emilia steals the handkerchief for her husband Iago, whom we learn has asked for it repeatedly in the past. Iago plants the handkerchief of death in Cassio's room. Othello enters, and Iago furthers Othello's suspicions with the aid of various outright lies. When Othello learns about the handkerchief, he decides that Desdemona is cheating on him, and because of that, she has to die.

The next scene brings us to Othello arguing with Desdemona while Emilia watches. He wants to know where the handkerchief is and Desdemona, oblivious, wants to talk about Cassio. Fighting ensues.

Shortly afterwards, we meet Bianca, a prostitute who's in love with Cassio. Cassio gives her the handkerchief he got from Iago, and swears it's not a love token from another woman. Some time later, Iago sets up a conversation between himself and Cassio, in which he gets Cassio to speak provocatively about Bianca. According to Iago's plan, somehow Othello, hiding and listening in, will think Cassio's speaking of Desdemona. So while Cassio is saying, "Yeah, I gave it to her good," Othello is thinking, "I'm going to kill that guy."

To make matters even worse, Bianca storms in and throws the special handkerchief in Cassio's face, having discovered that it indeed belonged to another woman. She storms out, with Cassio following behind her. Othello rages for a bit, and Iago advises that he strangle Desdemona. The next time the couple interacts, Othello hits her in the face (in front of a messenger from Venice telling him he has to go back home). Shortly after that, Othello yells at his wife, calling her a "whore," a "strumpet," and lots of other hurtful names. Filled with jealousy and indignation, he eventually resolves to kill his wife.

Back on the other manipulation front, Roderigo is getting tired of Iago taking all his money and not delivering the goods (i.e., Desdemona), as promised. Iago tells him to cool his jets, and also to kill Cassio when the opportunity arises, which, according to Iago, will happen that night between midnight and 1:00 AM.

Meanwhile, Desdemona and Emilia are talking together, and Desdemona begins to act strangely, foreshadow her own death. She sings of it, too. Emilia, meanwhile, defends the act of cheating on one's spouse, especially if there's a good reason for it.

Iago and Roderigo hang out, waiting for Cassio. Roderigo tries to stab Cassio, fails, gets stabbed himself, and looks to be in trouble until Iago sneaks up and stabs Cassio in the leg. Two Venetian gentlemen run in at the sound of Cassio's screaming. Iago pretends he just stumbled in himself, declares Roderigo to be the assailant, and stabs Roderigo to death before the man can claim otherwise. Bianca runs in and screams a bit, and Iago tries to pin the mess on her. Emilia enters and Iago weaves her a lying tale. He instructs her to tell Othello and his wife about the news.

Othello, meanwhile, kills Desdemona, just as Emilia enters the room. In this moment of confusion, Emilia reports (incorrectly) to Othello that Cassio killed Roderigo. Othello is furious to find that Cassio is still alive, as that was definitely not the plan. Emilia finally puts two and two together and realizes her own husband is the cause of everyone's tragedy.

As people pour into the room, Emilia outs Iago for being a rat. Iago promptly stabs his wife, but not so promptly that the truth can't come out first. Othello demands to know why Iago ruined his entire life, but Iago refuses to give him (and us) a good reason. The Venetian gentlemen decide to take Othello back to Venice to face his punishment for killing his wife, and Cassio inherits Othello's post in Cyprus. Othello, overwhelmed by grief, decides to end his life rather than live without Desdemona.
 
 http://www.shmoop.com/othello/summary.html
 

http://quotes.lol-rofl.com/shakespeare-love-quotes-tumblr/

http://www.summershakespeare.org/blog/

 At heart, the Shakespearean comedy is about a conflict between two opposite social groups (rulers and subjects, older and younger, wealthy and poor). The comedies tend to begin in a court in turmoil. Usually, this turmoil has arisen out of a crisis over marriage—the aristocrat female has refused to wed, or the laws of society forbid two young aristocrats to marry. The characters flee or are exiled, and they go from the court to a greener, less “civilized” world. They often choose (or are forced) to flee to a far-off exotic location, or a forest. Oftentimes, they are forced to don disguises. In this new place, far from the court that constrained them, they meet all sorts of other characters, and various plots intertwine. There are confusions and mistaken identities, but no major characters die. Central to these confusions is a topsy-turvy element in which society is flipped around: women are mistaken for men; servants end up ruling their masters; those who once chased find themselves pursued; and words are taken to mean their opposites. In this upheaval of the social order, the societal structure that once prevented the young lovers from marrying is transformed, and all the plots are resolved as the younger generation is brought back and welcomed to the court. The final act often includes a wedding and a celebration." with this text: "In this upheaval of the social order, the societal structure that once prevented marriage is transformed, and all the plots are resolved as those where were unable to marry are brought back and welcomed to the court. The final act often includes a wedding and a celebration.

 http://www.mccarter.org/education/twelfthnight/html/7.html

                                Shakespearean Works
 
http://shakespeare.mit.edu/

Comedy	History	Tragedy	Poetry
All's Well That Ends Well As You Like It The Comedy of Errors Cymbeline Love's Labours Lost Measure for Measure The Merry Wives of Windsor The Merchant of Venice A Midsummer Night's Dream Much Ado About Nothing Pericles, Prince of Tyre Taming of the Shrew The Tempest Troilus and Cressida Twelfth Night Two Gentlemen of Verona Winter's Tale	Henry IV, part 1 Henry IV, part 2 Henry V Henry VI, part 1 Henry VI, part 2 Henry VI, part 3 Henry VIII King John Richard II Richard III	Antony and Cleopatra Coriolanus Hamlet Julius Caesar King Lear Macbeth Othello Romeo and Juliet Timon of Athens Titus Andronicus	The Sonnets A Lover's Complaint The Rape of Lucrece Venus and Adonis Funeral Elegy by W.S.

 



William Shakespeare  was an English poet, playwright and actor, widely regarded as the greatest writer in the English language and the world's per-eminent dramatist.He is often called England's national poet and the "Bard of Avon". His extant works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and a few other verses, the authorship of some of which is uncertain. His plays have been translated into every major living language and are performed more often than those of any other playwright.

Shakespeare produced most of his known work between 1589 and 1613. His early plays were mainly comedies and histories and these works remain regarded as some of the best work produced in these genres even today. He then wrote mainly tragedies until about 1608, including Hamlet, King Lear, Othello, and Macbeth, considered some of the finest works in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights.

http://en.wikipedia.org/wiki/William_Shakespeare